Everybody Loves Raymond (1996-2005): Everybody loves put-upon Ray, who tries to please wife Debra, nosy ‘rents Marie and Frank and jealous bro Robert. The Barones didn’t always have happy days, but their dysfunctional family was one of the most realistic.

Hogan’s Heroes (1965-1971): You have to respect a sitcom that managed to wring laughs from a Nazi POW camp setting. Even more impressive: It was a one-note joke that kept viewers tuning in. What new ways would Col. Hogan and his clever crew find to trick bumbling Col. Klink and Schultz into giving up classified info to enemies?

Malcolm in the Middle (2000-2006): High-IQ Malcolm often made snarky asides to viewers about his wacky family’s antics. But the middle-class family was more normal than they or their neighbors though. And Malcolm, despite feeling isolated, was a true Wilkinson at heart.

Green Acres (1965-1971): CBS had its own genre of rural sitcoms with ‘The Beverly Hillbillies,’ ‘Petticoat Junction’ and ‘Acres,’ a standout for surreal antics involving TV-watching pig Arnold, the Monroe brothers (one of whom was female) and leads Oliver and Lisa, who still wore their fancy city duds after moving to their Hooterville farm.

WKRP in Cincinnati (1978-1982): The ‘Mary Tyler Moore Show’ of radio, ‘WKRP’ revolved around endearing boobs at an Ohio rock station. Johnny Fever, leisure-suited Herb and smart-cookie Jennifer kept the station, and the laughs, afloat; but nebbishy newsman Les (and his unfortunate flying turkey stunt) made the show a classic.

The Dick Van Dyke Show (1961-1966): One of the first shows about show biz revolved around a variety series writer. That meant tons of comic storylines, which, combined with Van Dyke’s physical gags and Mary Tyler Moore’s sassy humor, inspired many a future sitcom.

Welcome Back, Kotter (1975-1979): One of the best theme songs ever was followed by the Sweathogs’ cornball quips and memorable catchphrases. The show also made a star of John Travolta, and if you don’t think that’s a good thing, well, up your nose with a rubber hose.

Maude (1972-1978): Edith Bunker’s cousin (and Archie’s nemesis) was a “compromisin’, enterprisin’, anything but tranquilizing” feminist who proved to be both hilarious and groundbreaking, as she and hubby Walter tackled alcoholism, nervous breakdowns, and, in the most controversial episode, abortion.

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